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Great West Window. Charles Henderson Memorial Window.
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‘A tender memorial to our beloved’
The creation of the impressive West Window took place amid the turbulent years of the
Great War.
It was planned as a memorial to Charles Henderson, from St John Lee, who died just after
the outbreak of World War I, ‘as a result of a chill caught while doing war work’.
“Northumbrian Saints & Their Histories”
A five-light window of great size, with bold mullions and tracery. The five lights each have three tiers of panels, the two upper being filled with large single figures of the Saints of Northern England, and the third with subjects illustrating episodes in their history. Mr Henderson took a great interest in the treatment of the west window, his great desire was to have this window filled with a representation of those of the Northern saints who had been most closely associated with the evangelization of Northumbria and the Cathedral Church of the town. The places of honour are given to St Edwin the first Christian King of Northumbria, who fell in conflict with the Mercian pagans, and St Etheldreda the Queen of Egfrid of Northumbria, Abbess of Ely, and in association with Wilfrid the founder of the Abbey of Hexham. The style of the window is that of a free rendering of the 14th century, with bright rich colours appropriate to the period and position of the window.
In the TRACERY are twelve angels adoring Christ in Majesty who is at the top; two below Christ bear scrolls with the words: “O ye servants of the LORD” and “Praise ye The Lord”. The stonework of the tracery has been likened to the outline of a butterfly, which symbolizes the Resurrection.
The two UPPER TIERS are filled with large single figures of the Saints of Northern England who had been most closely associated with the evangelization of Northumbria:
Top, from the left: S.Paulinus, S.Aidan, S.Edwin K.M., S.Acca, V.Bede;
Centre: S.Oswald, S.Wilfrid [misspelt Wilfred], S.Etheldreda Q, S.Cuthbert, S.John of Beverley.
The LOWEST TIER has subjects illustrating episodes in the history of the figures in the central tier, with a two-line text at the foot of each light:
Here St Oswald at the battle of the Heavenfield | raiseth the Cross of God.
Here St Wilfrid doth instruct the Master Builder | concerning the plans of his Great Church.
Here St Etheldreda doth convey certain lands | to St Wilfrid for the erection of his Cathedral Church, [with her steward Ouini taking part in the transfer].
Here St Cuthbert liveth on the island of Farne in constant con | templation of Our Blessed Saviour and cherished God's creatures; [a Crucifixion scene, birds, an otter, a seal are shown].
Here St John of Beverley is received by the priest of Lee | where it was his custom frequently to enter into retreat [the church is shown above].
Inscription in the bottom right corner: “H.T.BOSDET 1917 | BRIGWOOD RD LONDON”
Memorial Inscription. A bronze tablet [HEXAB1022] below the window bears a heraldic shield and the Henderson motto SOLA VIRTUS NOBILITAT [Virtue alone ennobles].
Henry Thomas Bosdet
Bishopswood Studio, Hendon, London
1917
Mrs Henderson and the members of her family have decided to erect a memorial to her husband and their father, Charles William Chipchase Henderson, who died on December 3rd, 1914, and was laid to rest on December 5th in the Hexham Cemetery. The subject of the window had been chosen by Mr Henderson before his death, “he used to think that he might be able to put it in himself”. His plan was carried out by his widow and family. “Mr Bosdet, in consultation with the Rector, Mr Temple Moore, and the family interested, have already given much thought to the proposed memorial.” [Hex.Par.Mag. Apr 1916]
“Mr Bosdet thinks he will have the great west window ready for Unveiling and Dedication on September 30th.” [Hex.Par.Mag. Sep 1917 p.2]
Dedicated 3rd November 1918 by the Rector (delayed because Mrs Henderson was ill).
The window is of specific interest designated by The Council for the Care of Churches in 1995. See also Bosdet DVD HEXAB9262.
Nave/West End/West Wall
See also: www.hexhamabbey.org.uk

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Great West Window tracery
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Twelve angels adoring Christ in Majesty who is at the top; two below Christ bear scrolls with the words: “O ye servants of the LORD” and “Praise ye The Lord”. The stonework of the tracery has been likened to the outline of a butterfly, which symbolizes the Resurrection.
Henry Thomas Bosdet
Bishopswood Studio, Hendon, London
1917
Nave/West End/West Wall

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Great West Window left
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St Oswald is also depicted in painted panel HEXAB133.26 (and his head in HEXAB133.1 & window HEXAB1431.5)
Top: ‘S.Paulinus’ holding in his right hand a parchment “In the Name of the | Holy and undivided | Trinity … … in | Obey … … to | Authority to preach the | Christian Doctrine | within the Kingdom | of Northumberland | Edwinus | Rex”; S.Paulinus, the first Bishop of York, was the first to obtain the royal licence to preach the gospel of Christianity in Northumbria; he is a melancholy figure, saddened by the death of King Edwin who was baptized by Paulinus in York in 627.
Middle: ‘S.Oswald.K.’ holding the cross of Heavenfield, who gave the dishes from the royal table to feed the poor collected outside his hall and who defeated the king of North Wales;
Bottom: 2-line inscription at the foot: “Here St Oswald at the battle of the Heavenfield | raiseth the Cross of GOD”
Henry Thomas Bosdet
Bishopswood Studio, Hendon, London
1917
Nave/West End/West Wall

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Great West Window left-centre
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St Wilfrid is also depicted in two painted panels: HEXAB133.7 & HEXAB202.3 (& possibly HEXAB3068.1), and in four other windows: HEXAB1406, HEXAB1407.5, HEXAB1417, HEXAB1427, & HEXAB1431.4
Top: ‘S.Aidan’ carrying a book, who was a monk at Hy in Scotland and then took up the work of teaching the doctrines of Christianity among the Northumbrians when others appointed found the task too rough and unpromising, became Bishop of Lindisfarne and notable for his acts of charity and mercy among the poor.
Middle: ‘S.Wilfred.’ [sic] with image of his Church of Hexham (as in 1870–1907) by his foot as an emblem, arguing his case against Royal Authority in Church matters at the Council of Austerfield [near Bawtry] in 703.
Bottom: 2-line inscription at the foot: “Here St Wilfrid doth instruct the Master Builder | concerning the plans of his Great Church.”
Henry Thomas Bosdet
Bishopswood Studio, Hendon, London
1917
Nave/West End/West Wall

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Great West Window centre
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St Etheldreda is also depicted in painted panel HEXAB133.25, and in other windows: HEXAB1407.5 & HEXAB1427 (thrice)
St Wilfrid is also depicted in two painted panels: HEXAB133.7 & HEXAB202.3 (& possibly HEXAB3068.1), and in other windows: HEXAB1406, HEXAB1407.5, HEXAB1417, HEXAB1427, & HEXAB1431.3 (twice)
Top: ‘S.Edwin.K.M.’ with the sceptre in one hand and the palm of martyrdom in the other.
Middle: ‘S.Etheldreda.Q’ with the crosier of an abbess and a model of Hexham Abbey (as in 1870–1907) as her symbols, she wears royal robes over the black Benedictine gown and is decorated with the jewels which were the glory of her youth but sacrificed later to works of piety and chastity;
Bottom: 2-line inscription at the foot: “Here St Etheldreda doth convey certain lands | to St Wilfrid for the erection of his Cathedral Church” with her steward Ouini taking part in the transfer
Henry Thomas Bosdet
Bishopswood Studio, Hendon, London
1917
Nave/West End/West Wall

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Great West Window right-centre
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St Acca is also depicted in two painted panels: HEXAB133.14, & HEXAB202.5, and in another window: HEXAB1417
St Cuthbert is also depicted in two painted panels: HEXAB133.1 & HEXAB202.7, and in another window: HEXAB1407.6
Top: ‘S.Acca’, known as a great chanter, with a portative organ as a reference to his having introduced instrumental music into the service of the Church.
Middle: ‘S.Cuthbert’ holding the head of S.Oswald which was placed for safety in Cuthbert's tomb, where it was found in 1104;
Bottom: 2-line inscription at the foot: “Here St Cuthbert liveth on the island of Farne in constant con | templation of Our Blessed Saviour and cherished God's creatures around | him” [last 2 words very small]; a Crucifixion scene, birds, an otter, a seal are shown
Henry Thomas Bosdet
Bishopswood Studio, Hendon, London
1917
Nave/West End/West Wall

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Great West Window right
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St John of Beverley is also depicted in another window: HEXAB1417, and in painted panels: HEXAB133.8 & HEXAB202.4 (& possibly HEXAB3068.1)
Top: ‘V.Bede.’, our great authority for the history of this period with his book “HISTORIA | ECCLESIASTICA | GENTIS ANGLOR | UM” [The Ecclesiastical History of The Race of The Angles].
Middle: ‘S.John.’ of Beverley, one-time Bishop of Hexham who ordained Bede as deacon then priest at Jarrow, and the object of greater reverence than any Northern saint except Cuthbert.
Bottom: 2-line inscription at the foot: “Here St John of Beverley is received by the priest of Lee | where it was his custom frequently to enter into retreat” (the church is shown in the background above)
Inscription in the bottom right corner: “H.T.BOSDET 1917 | BRIGWOOD RD LONDON”
Henry Thomas Bosdet
Bishopswood Studio, Hendon, London
1917
Nave/West End/West Wall