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New Tyrrell Bequest Window
stained-glass | window
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The window reflects upon the theme of hospitality, at the centre of which is the chalice and bread of communion. When viewing the design as a whole, the separate lancets are relative to one another, mainly by the continuation of colour across the three openings. There are also three circle shapes that run through all three windows at roughly the same height. This is a play on the idea of unity and the drawing together in hospitality of the Trinity.
IN MEMORY OF MARJORIE
AND GEOFFREY TYRRELL
2012
Near bottom of right-hand light, right of centre
Alan Davis of Lythe, near Whitby, North Yorkshire
2012
Funded by the generous bequest of Geoffrey (died 2009) and Marjorie Tyrrell (died 2010). See HEXAB9056 for project details.
Installed October 2012 [HEXAB9028]. Dedicated by Bishop Frank White during 10am service on Sunday 2nd December 2012 [HEXAB9397.2.19].
“A new £60,000 stained glass window has been dedicated at Hexham Abbey in Northumberland. The window is the legacy of a couple – Geoffrey and Marjorie Tyrrell – who lived in the town and who died in 2010. It's the first new stained glass at the Abbey since 1972 and is the work of North Yorkshire artist Alan Davis.” [ITV REPORT, 2 December 2012 at 5:42pm] See also HEXAB3026 & HEXAB3027
South Transept/South Wall upper
See also: www.thejournal.co.uk

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CB-25 | SC11
Tyrrell Window left
stained-glass | window
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The theme of the left hand lancet is spiritual help. God's helping hand reaches down from the cosmos to engage with hands reaching up. This imagery is interwoven with other aspects of Christian symbolism: a tree, the cross and the river of life. The tree of life is echoed in the tree of the cross and the hand of God reaching down to touch the cross also representing the death of Jesus. Jesus cried out in a loud voice, “Father, into your hands I commend my spirit” (Luke 23:46) – the ultimate act of hospitality is seen in the uniting of the Father and the Son in God's house.
Alan Davis
2012
Sight-line: H 3428 | W 804
South Transept/South Wall upper

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Tyrrell Window centre
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The central lancet is themed around hospitality and the early Church. The breaking of bread and sharing of wine was and is at the heart of Christian identity. The central section of the design contains imagery of a chalice and wheat. The triquetra symbol, formed from three interwoven circles representing eternity, unity and the Trinity, is an ancient symbol seen on the Frith Stool in the Abbey. A smaller chalice just below the large one is a reference to the Hexham pre-conquest chalice used by our forebears on their missionary travels. In the lower section is a seed symbolizing birth, new life and growth. The Kingdom of Heaven is like a mustard seed…the smallest of all the seeds, but when it has grown it becomes a tree (Matt. 13:31–32). The final image in this central section towards the apex is a bird form (dove) above seven tongues of flame symbolizing the coming of the Holy Spirit. This is relating to Pentecost, the spirit empowering the disciples to preach to and unite people from different nations.
Alan Davis
2012
Sight-line: H 4544 | W 806
South Transept/South Wall upper

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Tyrrell Window right
stained-glass | window
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Linking the second and third lancets is a welcoming light, or light at a window, represented by the white rectangular shape. The love of the stranger is a particular attribute of Christian thinking: ‘Do not neglect to show hospitality to strangers, for by doing that some have entertained angels without knowing it’ (Heb. 13:1–2). This theme is portrayed with vague semi-abstract figures in various poses of welcome or receptivity seen to be slowly changing as they rise to the upper section of the window into a winged form (angel). The (2012) Rector's daughter Olivia was the model for one figure, thus continuing a tradition started over 100 years ago in the Baptistery window of the then Rector's daughter being included. Symbolically the angel figure is suspended in the ‘light’ or the ‘window’; a door shape is seen at the base of the lancet which has many symbolic interpretations: ‘I am the door. Whoever enters by me will be saved’ (John 10:9). A half-size sample of the top of this lancet is in The Big Story exhibition [HEXAB1433].
IN MEMORY OF MARJORIE
AND GEOFFREY TYRRELL
2012
Near bottom, right of centre
Alan Davis
2012
Sight-line: H 3794 | W 924
South Transept/South Wall upper